It’s a wonderful performance, and contains elements of many different musical styles. Start by listening to the recording, and just let the sound wash over you as you take it all in, without thinking too much about it. Let’s take a look at Part 1, which is 26 minutes long. Whereas back then I heard a lot of “sameness,” I now realize that Jarrett creates a constantly shifting musical landscape, with compelling contrasts in mood and texture. It was fun to hear the familiar sounds again, and I heard many things in the music that escaped my ears back then. Recently, I thought it would be interesting to revisit this recording, and listen to it from my current perspective. I listened to The Köln Concert many times as a teenager, but in the years since then I’ve focused on Jarrett’s other recordings. For whatever reasons, the music came out extraordinarily well and the resulting recording made Jarrett a musical superstar. It was almost entirely improvised (except the encore, which was a previously composed tune), and he speaks of having considerable back pain that day. On January 24, 1975, Jarrett played a solo concert in Köln Germany. Let’s take a close look at his groundbreaking 1975 recording, The Köln Concert. His playing includes jazz, gospel, blues, rock and classical, and he generally performs either solo or with his trio. It gets harder, because my whole goal is not to repeat myself, and in some way bring something else into the world that wasn't there before in quite that way.Keith Jarrett is one of the world’s most famous improvising pianists, and has inspired countless musicians over the years. "No matter what people think, no matter how many hundreds of times I've done it, it doesn't get easier. "I felt strangely at ease on stage, which is rare anyway," he says. Perhaps it's a part of the reason that Jarrett claims to have made some of his best work after 50 years. And this particular fuel was full of hope." Something about the way my life has gone has allowed me to weave through that stuff, and use the next experience in my life as fuel for the music. "And I remember being at ease, and I can only say that was because of a new relationship, partly. "But in Rio, it's as you say, much more positive, and much more hopeful, and much more joyful," Jarrett says. Now, he is engaged again - and in Rio de Janeiro, the relationship was still new. It doesn't feel good, but if you're an improviser, you wonder, 'What will I play now?' So for a while, the curiosity of your new situation creates the music." "Whenever a change happens in a person's life - especially a large change, and especially an unpredictable one, like your spouse leaving or something - if you're an artist, you can use that," Jarrett says. He speaks of the experience as an influence on his music at the time. Three years ago, Jarrett went through a divorce from his wife of 30 years. But what can you do worse than that if you're dancing? The same with this." "Like Jennifer Beals in Flashdance: She falls over it's her worst nightmare come true. "But you have to be ready to fall on your face - flat on your face - and have failed miserably," he says. It's a liberating experience, he acknowledges, to play solo. So that made me free of something, I think." It wasn't Holland, or Germany, or the States, or Japan - it was south of the equator. "It was obvious when I listened to the CD that I was connecting to the culture. "I get to the place, I try to absorb the culture that I'm in, listen to the language, think about where I am, and that's about the only preparation that might be important," Jarrett says. Jarrett says it's comparable to an "out-of-body experience." But he does try to get a feel for his setting before the show itself. Music Jazz Pianist Keith Jarrett On Fresh Air
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